7 Methods for Handling Point-of-View Changes

Welcome to Twitter Treasure Thursday! In most of my stories, I tend to keep a narrow focus by using only one character’s point of view. However, when I began rewriting my novel last fall, I decided to make a huge change and use multiple POV’s.

AHHH!

Yeah, it’s not the easiest thing to divide a story amongst multiple characters. Not only do you need to make sure you’re maintaining each of their unique voices, but you need to make sure you’re not confusing the reader by making sudden POV leaps.

POV 2

Today’s gem, courtesy of Rhonda Ryde, addresses this topic. In an article written by Jami Gold, we’re offered great tips on how to handle POV transitions, and how to avoid pitfalls that hurt your story and confuse the reader.

7 Methods for Handling Point-of-View Changes

Paragraph Break
The vast majority of agents and editors consider a paragraph break to be an insufficient transition for a POV change, especially for a character-focused story.

In contrast to plot-driven stories, character-focused stories are page-turners because the reader cares about what will happen to the characters. It’s harder to create a sympathetic/empathetic relationship between the reader and characters in one-paragraph chunks. If the characters don’t matter, they might seem little more than puppets to the plot.

To read the entire article, click here!

And for more useful advice, follow Rhonda Ryde on Twitter!

Related Articles

How to choose a point of view for your novel

5 Tips for Writing Multiple POVs

Deadly Sin of Writing #5–P.O.V. Prostitution

Point of View: Choosing Whose Head To Be In

Photo credit: 

http://lydiakang.blogspot.com/2011/03/pov-privately-owned-vehicle.html