Most of us have big dreams of walking into a bookstore and seeing our beautiful, gorgeous, wonderful novel on a shelf. Or, better yet, seeing a complete stranger reading it in public…But, there’s something about this big dream we all need to understand.
It.
Takes.
Forrrrrrever.
To.
Achieve.
Yes, I know most of you understand this. In fact, I’m sure many of you have experienced it. Writing a novel takes months, if not years. And getting it published can take even longer.
However, with the rise of self-publishing, as well as society’s increasing need for instant gratification, I fear some writers are losing patience with the process. Or, perhaps, some writers simply don’t understand it. That’s why today I’d like to share a simple, yet vital tip with you:
Slow.
Down!
I know that hurts to hear, but if you want to produce a strong, entertaining, and thoroughly developed story, then you need to stop rushing to the finish line. You need to sloooow down and remind yourself quality isn’t free. It costs time.
A.
Lot.
Of.
Time.
The more you rush through the process, the more issues you’ll face: Shallow plots. Flat characters. Contradictions. Cliches. Stiff dialogue. Redundancies…The list goes on and on. I’ve seen these issues in projects I’ve edited, and I’ve seen them in published books I’ve read. When a writer sprints through the process, it sticks out like a sore thumb.
So, to help you from making this major faux pas, I’d like to offer a general approach to writing a novel. Is this the only approach out there? No, of course not. But it’s definitely a tried and true method that ensures a story receives the proper amount of attention it deserves before it gets sent out into the world.
Step 1: Write First Draft
This is my personal take on first drafts: They are 100% private and nobody should read them except you. Think of it like this: You’re the lone survivor of the apocalypse and you’re really bored, so you decide to strip down to your birthday suit and go dancing in the streets. Hey, why not? Nobody’s around to see or judge you.
If you approach your first draft with this mentality, I promise you won’t feel like there’s an invisible audience watching and judging you. You can charge into the unknown and write fearlessly.
Step 2: Take a Break…Or Not
Some writers will say you have to take a break after you finish your first draft. I say it’s up to you. If you’re burned out and exhausted, then yes, give yourself a much deserved hiatus from your story. A week, two weeks, a month…Then get back to work.
However, if you’re in a groove and can’t fathom stopping, then don’t. Take advantage of your creative high and leap into your second draft.
Step 3: The Real Work Begins
Draft one can be tough, but it’s nothing compared to what happens next:
Draft two.
I hate to burst your bubble, but it’s time to stop dancing and put your clothes back on. An unexpected group of survivors have arrived at the end of the street and they’re glancing your way. No, they’re not ready to walk over and introduce themselves yet, but they’re thinking about it.
So, you better boogie on home, roll up your sleeves, and start shaping your first draft into something presentable for other people’s eyes.
Step 4: Take a Break!
Perhaps you didn’t feel the need to take a break after you finished your first draft, but now you need to. You can’t approach your third draft until you’ve put some distance between yourself and your beloved story.
If you’re really wild and crazy, you might consider sending your second draft to your first reader(s). I like to send mine to my mom. She’s trustworthy, honest, and objective. She’s also aware this is an early draft and I’m only looking for big picture-type feedback.
Or, if you’re doubting your story at this stage, you might consider sending the first chapter to an editor to critique. They can give you a knee-jerk reaction to your plot and characters, and help you decide if it’s worth pursuing. Many editors, including myself, offer such a service for a very affordable price (usually in the $25 range).
Of course, if you’re not ready for anyone to read your manuscript yet, that’s totally fine. Tuck it away and ignore it for a couple of weeks.
Step 5: Question Time
As you begin working on your third draft, ask yourself tough questions like:
“Has this story been told before?”
“Am I starting the story too early? Too late?”
“Are my characters interesting and likable? Or are they yawn-worthy, annoying caricatures audiences will reject after a couple of chapters?”
“Do I have too much backstory, especially in the early chapters? Am I prone to info dumps?”
By this stage, you better be showered and dressed, and your house better be clean, because the other survivors of the apocalypse have arrived at your front door. And they’re prepared to bombard you with questions. So, be as objective as possible. Hunt for all the flaws, loopholes, and cliches in your manuscript. Show no mercy!
Step 6: Beta Readers
By now, you’ve worked through at least three drafts and you’ve hunted down the majority of your story’s problems. Now it’s time to hand it over to your beta readers.
Yes, you need beta readers. Sure, you may include friends and family members (I always send mine to at least a few), but you must include other writers, book nerds, or, if need be, editors. Send it to people who have the ability to be objective, honest, and helpful.
While your betas are reading your manuscript, take another break. Do not keep writing. Clear your head so when feedback starts rolling in, you’re able to absorb it without getting defensive or upset. Because, yes, your betas will find problems. And, yes, it will hurt. And, yes, you’ll survive (you made it through the apocalypse, remember?).
Step 7: Critique the Critiques
Once all of your betas have returned their feedback, it’s time to evaluate it and find out what the general consensus is.
If it’s positive, great! Do a happy dance (ahem, fully clothed), and then sit down and critique your betas’ notes. Take the time to absorb each one and determine which are useful and which are dismissive…Yes, you heard me. You don’t need to use all of the feedback you receive. Please, don’t use all of it. If you do, you’ll have an odd smorgasbord of opinions that’ll hinder your story, rather than help it.
If the overall feedback from your betas is on the negative side, then it’s time to make some tough decisions. I’ve been here, so trust me when I say, you’ll be okay. It’s better to find out now if your story isn’t working than hear it six months down the road from agents or others in the business. If you find yourself in this position, you need to consider:
- Doing a complete overhaul of the manuscript. This basically means ripping it up and going back to step one…I’ve personally done this more times than I can count.
- Shelving it and working on a new project. As unthinkable as this might seem, it can be the best decision to make. Setting aside a story gives you the space, time, and clarity you need to re-approach it in the future.
- Hiring an editor. If you’re not ready to start over or shelve your manuscript, then you might want to hire an editor…But, fair warning, development/content editors are a hefty investment.
Step 8: Revise and Refine
Now that your betas have given you the thumbs up, it’s time to sit down and revise–again. Take all the feedback you’ve received to seal your plot holes, adjust your sentence structures, deepen your characters, etc. Fix any and all problems and strive to make your manuscript the best it can be.
Once you’ve finished, you might want to send it back to your beta readers (either the same group as before or new ones). Find out if your updated version fixed things. If it didn’t, revise–again.
Step 9: Time to be Ruthless
This is when you look out your front window and see hundreds of survivors lining up and down the same road you once danced naked in. They’ve come to meet you…and judge you.
So, guess what? You better take the time to judge every sentence, every paragraph, and every aspect of your book before they do. Stop thinking of it as your precious baby and start thinking of it as a polished product. Be brutal. Be unapologetic. Cut what needs to be cut. Tighten what needs to be tightened. Analyze every character, every piece of dialogue, every chapter break, every twist and turn…EVERYTHING!
If you feel like you need to, hire a copy editor to help you polish things up (ex: sentence structures, grammar, word usage, pacing, etc.).
Once you’ve finished this draft, you should feel confident enough to open your front door and launch copies at those judgmental survivors intruding upon your turf.
Step 10: Release It
Yep, you’ve made it! You’ve done everything you can to prepare your manuscript for the world. Whether that’s sending it to agents or getting it self-published, you should feel proud of yourself and proud of the story you’ve worked so hard on!
Now, I’m sure some of you went through those steps and thought, “No way. I’m not doing all of that.” That’s fine. Perhaps you have a different tried and true method? Like I said, mine isn’t the only one out there.
But, I know–I know–there are writers who are simply impatient and don’t want to bother with these time-consuming, yet vital steps. They want to jump from step one, to step four, to step ten in the blink of an eye.
You can’t expect to produce a quality story if you’re not taking the time to write it. It’s as simple as that.
At the very least, before you deem your manuscript worthy of being read by the entire world, ask yourself these three questions:
- “How many drafts have I written?”…If it’s less than three, STOP! You’re not ready.
- “Have my beta readers given their stamp of approval?”…If you don’t know what a beta reader is, STOP! You’re not ready. Or, if you replied, “My best friend read it and he/she loved it!”, STOP! You’re not ready.
- “Have I been as ruthless and objective with my final draft as possible?” If you shied away from that statement, STOP! You’re not ready.
Bottom line:
Slow.
Down!
Don’t forget, my editing website is up and running. If you’re looking for someone to help with your story, check out Jen’s Edits and Critiques.
Photo credits: 1, 2, 3, 4, 5, 6, 7, 8, 9, 10, 11, 12, 13, 14
I almost cried when I saw what I’d taped to the cover.
An empty Dove’s chocolate wrapper with the quote: “Failure is only the opportunity to begin again more intelligently”.
To help me along, I’ve been reading a wide assortment of articles from agents, publishers, and other industry professionals. I want to know what’s expected, what’s cliche, what’s annoying, what’s exciting, and so on. Today’s gem, courtesy of 
On the manuscript front, things have been both frustrating hopeful. Last Saturday, I began revising my first draft. Almost a week later, I’ve only edited two chapters. Two! Yeah, talk about sloooow going.
No, my snail-like pace isn’t because I’m being lazy or unmotivated or distracted. It’s because I’m no longer writing a story. I’m building one. As I revise, I’m constantly asking myself, “Why is this happening?” and “Who are these characters?” and “How can I make this more interesting–more relevant?” It’s no longer about pouring ingredients into a bowl. It’s about baking a cake. That means this draft is going to take time. And these first chapters will take a lot of time. They’re the ones that will set the tone and lay the foundation for the rest of the story.
Thankfully, after chewing my nails all day, my mom called and told me she genuinely enjoyed my MCs and would like to know more about them. Woo-hoo! Unfortunately, she had issues with a couple of other things, and she asked me some questions about the plot I had a hard time answering. But, it’s okay. That’s what second drafts are all about–finding the problems and fixing them. And, hey, better to fix them earlier than later, right?
First off, I received the final results for the 
More than achieving this seemingly impossible feat, I’m proud of the three stories I wrote for this competition (“Chasing Monsters,” “Over the Edge,” “Into Paradise”). Not only did I work extra hard to make each one entertaining, unique, and meaningful, but I forced myself to step outside my comfort zone and take on topics that were scary, disturbing, and/or heartbreaking. I truly learned so much about myself as a writer. More importantly, I learned that if a story demands to be told, then I need to check my insecurities and fears at the door and tell them. I shouldn’t hold back. I need to take the plunge and just go for it!
Yeeee-ha!
KIDDING!!!
I began working on draft 2 yesterday and…ugh. Guys, there’s A LOT of things to fix. A lot, a lot. But, it’s okay. I’m eager to roll up my sleeves and get to work. And now that life has finally calmed down, and the NYC Midnight Challenge hoopla is over, I can dedicate all of my energy to my revisions.
How was your week? I’d love to hear!
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