When I first started writing years ago, I had no idea what I was doing. Like, NO idea. I just sat down in front of my laptop and started writing a story. In theory, that’s what writers should do. Sit down and write. Period! However, in order to become the best writers we can be, we need to broaden our practices beyond the obvious.
Many of us have read or heard the Stephen King quote, “If you don’t have time to read, you don’t have the time (or the tools) to write. Simple as that.” Yes, King is right. To become a better writer, we need to read–a lot. But, what are some other ways to improve our writing? Well here are three of my favorite practices to consider:
1. Writing Contests/Challenges
Writing contests and challenges are terrific for many reasons:
- They push us out of our comfort zones. Are you a novelist who’s never written anything under 80K words? Have you only ever written romance? Or only horror? Contests push you to explore, experiment, and challenge yourself in new (sometimes terrifying) ways.
- They introduce us to new genres and categories we’ve never considered. For example, I always thought I’d be a YA author (I even optioned a YA novel to a Hollywood producer). After a few writing contests, I realized I’d missed my calling. I have a stronger knack for adult fiction, namely suspense, thriller, and/or horror.
- They teach us to tell tighter, fuller stories. When we only have 1K words at our disposal (maybe even less), we learn the art of brevity. We also learn the importance of developing every aspect of a story (plot, characters, descriptions, etc.). If we miss one, it sticks out like a sore thumb.
- They lead to new stories. One of the biggest benefits of participating in writing contests and challenges is walking away with a new story that can be developed into something bigger. For example, the novel I’m about to query is the byproduct of a short story I wrote in 2015 during a contest; and I have about ten more I could develop if I wanted to (and probably will at some point).
If you’re looking for some excellent writing challenges to participate in, here are some I recommend:
Chuck Wendig’s Flash Fiction Challenges (Check out his blog every Friday to see if a new challenge has been posted).
NYC Midnight (Let me emphasize, I recommend this as a challenge, and I highly recommend you participate on their forum. The contest aspect is a bit laughable.)
Fiction War (A newer contest that’s still working out its kinks, but I’ve heard decent things. Definitely worth the challenge, if nothing more.)
#WritingContest on Twitter. (You’re bound to find the perfect challenge for you!)
2. Beta Reading
Whether we’re a self-taught writer, or we’ve received an MFA from a prestigious institution, we can benefit from critiquing other people’s stories. When we beta read, we:
- Learn through others’ mistakes. Slow pace? Cliche characters? Too much exposition? As we point out these flaws in other people’s work, we notice them in our own.
- Become more analytical. It’s difficult to be objective with our own work, but the more we evaluate other people’s stories, the more we evaluate our own. Naturally. Yes, our stories remain our precious babies, but we learn how to “parent” properly. We no longer turn a blind eye to problem areas. We face them head on and address accordingly.
- Grow thicker skins. Sharing our work with readers can be a scary experience. We’re basically displaying our souls to the world and opening ourselves up to criticism. Well, the more we participate in beta reading (both as betas and as those being beta’d for), we overcome a lot of our fears. We gain confidence by seeing other writers struggle too, and we learn how to accept positive and negative comments.
3. TV Shows, Movies, and Live Theater
Okay, this may seem like a weird one, but there are a lot of benefits to critiquing the TV shows, movies, and live theater we watch:
- Be an active audience member. Who are the characters? What are their motives? What subtle clues are being dropped that will come into the story later? Do all the dots connect? Was the pacing well done? When we breakdown a production as we’re watching it, we learn how to rapidly evaluate our own stories. We ask more questions and critique every sentence to decide if it’s contributing to the story as a whole.
- Cinematography lessons. Whether we’re writing a character-driven, literary piece, or a sweeping commercial blockbuster, films and stage productions teach us how to bring our stories to life. They spark our imaginations so there’s more color, more movement, and more oomph! They teach us how to show rather than tell.
- Reactions, actions, and more. Let’s face it, we don’t always have firsthand experience with the types of theatrical events depicted on screen or stage (thankfully for some things): violent riots, spectacular romantic gestures, devastating betrayals, flying into space, etc. As we watch TV shows and movies, our brains naturally archive various facial expressions actors make; or dramatic action sequences we’d never see in real life (ex: bombs dropping on Dunkirk); or chilling atmospheres that leave us cold to the bone. Film and stage productions are emotional, heart-pounding, beautiful buffets for writers. We may not even realize we’ve memorized little details (like an actors subtle grin or sultry voice; or hazy sunlight glinting off a decrepit skyscraper in the far future)–but our imaginations do!
How about you? What are some of your off-the-wall methods that have improved your writing?
Photo Credits: giphy
Oh, and, er, I like Katy Perry, too…
On Sunday night, I watched the 
Okay, let’s move away from the negative and look at these positive facts:
Then I saw their movie version and was like, “Ohhh. Got it!”, followed by, “Ohhh, I like it!” Sometimes, you just need to “see” a plot unfold, or “watch” a character develop, or “hear” a story told. And thanks to movie magic, those things can happen and book epiphanies can take place. Stories that didn’t translate so well on paper can be appreciated on screen (same story, different format).
Okay, go for it: tell me what you think. Are you pro-adaptations? Or do you think it’s a crime against nature when Hollywood gets their hands on your favorite book?
As a whole, I did enjoy the film. I feel the adaptation was true to the book and brought Himmel Street to life beautifully. And judging by the round of applause inside the theater at the end, I’d say other fans enjoyed it too.
Okay, now for a couple of things that…disappointed me. And let me preface this by saying 1) These are nit-picky complaints coming from a book lover’s perspective, and 2) Despite these complaints, I still give the film two thumbs up.
(If haven’t read the book or seen the movie (and plan to), don’t read this next paragraph).
Everything I expected, everything I wanted, made it into the movie. From the fiasco at District 11 during Katniss and Peeta’s Victory Tour, to Wiress’s sane/insane “tick-tock, tick-tock” muttering, to Gale’s ominous “Katniss, there is no District 12.” line. And then there were the smaller details I’d hoped to see, but didn’t expect, like Finnick’s flirty sugar cube offer, President Snow’s bleeding mouth ulcers, and Johanna Mason’s shocking, but hilarious strip down in the elevator.
There were even direct lines from the book that made it into the film, including Katniss and Peeta’s conversation about their favorite colors (green and sunset orange). And, my personal favorite, Peeta’s simple promise to Katniss: “Always.”
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